I have been speaking to the way the global political elite, and their supporting claques, have become-- perhaps because of the environment in which it finds incentives and rewards, perhaps because it appears to be the surest road to managerial stability of populations that need curation for optimal behavior--they have merged with, the forms and attitudes of agit-prop that, once an instrument of revolutionary challenge to an established order, has become the manifestation of both order and its challenge in a manged way. (See here, here, here, here, here, and here). Agit prop does not "belong" to or as a manifestation of any specific system--it is as at home in Marxist-Leninist systems as it is in liberal democratic, theocratic, post-colonial, or techno-bureaucratic systems. Cultural and operational manifestations of communication tend to be trans-cultural, feeding of of its manifestations across systems in a sort of dialectics of action that then serves as the pathways for communication, meaning and management of subject populations--at least in the thought-actions of those with a hand at the controls of the management of human aggregations--states, enterprises, NGOs, and other sorts of organized human collectives.
The G7--both in its meeting and written memorialization of those inter-personal encounters (formal and informal)--suggests one of the forms of official agit-prop that now serves as the means through which transaction-based (e.g., here, here) encounters between formal and informal actors, each constituted as the expression of political. social, economic, and cultural power. There is nothing historically unique about this meeting of the G7 in terms of its performance and communication form, broadly understood. Sometimes the agit prop sounded in opera; sometimes in musical comedy; and sometimes in avant garde absurdist theater (Absurdist in its more ancient sense as something discordant and therefore incapable of being heard in a meaningful way). President Trump appears to add, in the view of some it appears, a measure of theatricality that moves the
production from high society theater to vaudeville somewhere in the
early 20th Century Bowery. district of New York. That adds to the fun.
The agit-prop was delightfully press worthy, and constructed for easy transposition to the social media organs which serve as the virtual theatre space in which agit-prop is performed. And every theatre piece has a set if principal actors, in this case around the President of the United States. President Trump was up to the task: arriving onstage to a Greek chorus style set piece, making press worthy declarations about the way that history ought to be written, and of the role of Russia within the Group. Russia's tragedy was a worthy sub-text to this overall cavalcade of cacophony adding a musical element to the proceedings--and aided by the rest of the theatre troupe for the entertainment of their audience and amplified by the media "stage hands" that bring these set pieces to life (eg here).
That last bit added a bit of
hilarity to the early (first act) of the G7 meeting (in the sense of its Roman celebrations of
Hilaria, "times of pomp and rejoicing; there were public ones in honor of Cybele at the spring equinoxes as well as private ones on the day of a marriage or a son's birth." (
here):President Trump's lamentation about Russia being booted out of the then G8 which caused great sadness; less perhaps than the invasion and annexation of Crimea, and other portions of Ukraine and Georgia, etc. An excellent piece of agit-prop that served both to teach and provoke. There was more of course--the
Real Housewives of New Jersey analysis of interpersonal relationships, capped by a bit of drama, the quick exit of President Trump to attend top weightier matters shortly after he arrived (
here). There was more, of course--the fight over whether there was agreement about Ukraine (hardly likely given President Trump's lamentation of President Putin's melancholia for his post annexation removal from the G8, now G7 (
here), bit see
here in another moment of theater).
The agit-prop of this meeting of the G7, though, was also manifested in text. That text, the G7 Leaders’ statement on recent developments between Israel and Iran(16 June 2025) managed to combine both a bricolage of multi-vector bromides that appear to sell to factional intelligentsia that appear to dominate G7 national "brain trusts" and the expectations of a news oriented social media with its own expectations of how "leader speak" ought to be scripted. Here is the text:
G7 Leaders’ statement on recent developments between Israel and Iran
June 16, 2025 Kananaskis, Alberta
We, the leaders of the G7, reiterate our commitment to peace and stability in the Middle East.
In this context, we affirm that Israel has a right to defend itself. We reiterate our support for the security of Israel.
We also affirm the importance of the protection of civilians.
Iran is the principal source of regional instability and terror.
We have been consistently clear that Iran can never have a nuclear weapon.
We urge that the resolution of the Iranian crisis leads to a broader de-escalation of hostilities in the Middle East, including a ceasefire in Gaza.
We will remain vigilant to the implications for international energy markets and stand ready to coordinate, including with like-minded partners, to safeguard market stability.
On its face there is nothing objectionable about any single statement in the text. Indeed, each, singly, expresses some of the highest aspirations of humanity in this current stage of its historical development. The problem, of course, is that those statements can exist in all of their beauty only when they do not come directly in contact with each other. But everyone who reads it implicitly believes, or is invited to believe in the solidarity of the text as a whole, made rational by their own engagement with text (here). At the same time, the text can be seen to serve as a curtain behind which those who embrace it can choose to order text in any way that serves their interests. Like the keys to a badly tuned piano they can be played in any order and combination in one note or in sequences that reflect the inner demons of those at the keyboard.
Nonetheless, the G7 Statement invites us to hold fast to the text, even if each of their parts cannot yet come into proximity with any of the others. Perhaps some day they will; but it will be within an ordered reality that for us in the present remains substantially unimaginable--understood in its semiotic sense.